Katie Wickes (Co-Director / Co-Choreographer) (she/her) Favorite shows with MMTC include The Rocky Horror Show (SFBATCC Award - Choreography), Spring Awakening (SFBATCC Nomination - Choreography), Legally Blonde (TBA Finalist - Choreography), and Cabaret (SFBATCC Nomination - Choreography). Her recent performances include Grease, Mamma Mia, & Beauty and the Beast with Mountain Play and Urinetown: The Musical (Mrs. Millennium/Dance Captain)and A Christmas Carol (Ghost of Christmas Future/Dance Captain) with Stapleton.
Jenny Boynton (Co-Director / Co-Choreographer) (she/her) As the Artistic Director at Marin Musical Theatre Company, Jenny has directed many shows that have performed at NTC, most noteably; Spring Awakening, The Rocky Horror Show, and Cabaret (SFBATCC Nomination-Choreography). As a native to Marin County Jenny has performed with many companies in the area including The Mountain Play Association, Stapleton Theater Company and 6th Street Playhouse. She received her AA in Drama and Dance from The College of Marin and her BA in Music from Dominican University.
Megan Schoenbohm (Music Director) (she/her) Megan began her music career at the age of 2 years old, playing on pots and pans with wooden spoons. By the age of 3, she was playing piano by ear. Megan was a child simply hooked on music; wanting to play any instrument she could get her hands on. From there, she studied drums, mallet percussion and flute; she taught herself oboe, English horn, guitar and bass; and began writing her own music, inspired by women artists of 90's rock. Megan is a 2004 graduate of Berklee College of Music in Boston with a degree in Music Therapy. In 2020, 2021, 2022, 2023, and 2024 Megan was awarded by the Bay Area Parent Magazine as Best of the Best for "Local Family Entertainment," "Birthday Party Entertainment," "Music Class," and "Hidden Gem." In 2021, Megan accepted an invitation to join the Recording Academy. www.musictimewithmegan.com
Nic Moore (Fight Choreographer) (he/him) is a fight choreographer, theater educator, actor and director. He has choreographed at Novato Theater Company, Stapleton School of the Performing Arts, Marin Academy, Marin School of the Arts, San Lorenzo High School and Backyard Kids' Theater. He has trained at Shakespeare & Company in Massachusetts, The American Musical and Dramatic Academy in New York and The Meisner Technique Studio in San Francisco.
Sound Logic (Sound Designer) / Simon Eves (Sound Mixer) (he/him) has been doing community theater in Marin for nearly 24 years, since he stepped in at the last minute for the San Anselmo Town Players' OLIVER in 2002. Along with Aaron Yoffe, he formed SOUND LOGIC in 2016, and together they have done their best to offer high-quality live sound services to local groups, with nearly 40 productions under their belts. Love as always to Katie and Nathaniel for their tolerance of his sometimes time-consuming hobby.
John Diaz (Lighting Designer) (he/him) Starting off as an actor, you may have seen John in MMTC’s productions of The Rocky Horror Show (2019 & 2022), and Rent (2022). Previously, John worked with MMTC as lighting designer for Cabaret. John works as the technical director for the YES! Foundation and the Marin Horizon School in Mill Valley. Thank you for supporting live arts! Instagram: @johnhectordiaz
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Arinn Testa (Costume Designer) (she/her) is a psychologist of more than two decades, mother of three, and lifelong lover of the stage. Her journey with costume design began in junior high summer theater, handcrafting costumes for Pippin and Godspell, and deepened through years of acting in high school and college productions. When her eldest son, now in college, stepped into the spotlight in third grade, Arinn rediscovered her passion from the other side of the curtain and has since coordinated and designed costumes for dozens of productions, including A Midsummer Night’s Dream, Twelfth Night, Charlie and the Chocolate Factory, Odessey, The SpongeBob SquarePants Musical, Legally Blonde, Shrek, Oliver!, Once Upon a Mattress, Pirates of Penzance, and Alice in Wonderland. She brings to Jagged Little Pill a love of fabric and form, a deep respect for artistic collaboration, and a psychologist’s appreciation for the emotional lives of characters. She believes that costumes deepen the story of who we are, our identity, embodiment, vulnerability, and transformation such that each character may inhabit their role.
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